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DARWIN ON MORALITY Evolutionary biologists today are not actually Darwinists, they are what is called Neo-Darwinists. Neo-Darwinism is a synthesis between Darwin's idea of descent with modification and the monk Gregor Mendel's discovery of the mechanism of genetics. Mendel's published his work in an obscure Austrian journal in 1865, but, it lway there unnoticed until its importance was appreciated around the turn of the century. It took several decades to consolidate this new synthesis, but the basic framework used today, has been the same since the 1940s. What are the mechanisms of evolution? Natural Selection. The first fundamental idea is actually quite simple (as Darwin writes on p. 127 of Origin of Species): "If during the long courses of ages and under varying conditions of life, organic beings vary at all in the several parts of their organisation, and I think this cannot be disputed; if there be, owing to the high geometric powers of increase of each species, at some age, season, or year, a severe struggle for life, and this certainly cannot be disputed; [and] if variations useful to any organic being do occur, assuredly individuals thus characterised will have the best chance of being preserved in the struggle for life; and from the strong principle of inheritance (genetics) they will tend to produce offspring similarly characterised. This principle of preservation, I have called, for the sake of brevity, Natural Selection." When TH Huxley heard this he is said to have written in his diary: "Why didn't I think of that!" So this, then, is Darwin's first great idea, not the idea of evolution, but the idea of evolution by natural selection, an idea he could never formulate with sufficient rigour and detail to prove, though he presented a brilliant case for it. What it really is, is a handy, almost sterile, term for a profoundly disagreeable aspect of life on earth: the fact that there are only so many resources and an abundance of organisms wanting to make use of it. This is exactly what Alfred Lord Tennyson (1809-1892), meant when he wrote, in 'In Memoriam': Who trusted God was love indeed/ And love Creation's final law/ Tho' Nature, red in tooth and claw/ With ravine, shriek'd against his creed -- Ravine here means the act of seizing something as prey. Predators preying on herbivores are "nature red in tooth and claw". This sentence succinctly sums concentrates on the instruments the carnivores are born with - the teeth of sharks and claws of hawks, for instance -- who use them to seize and kill other creatures. In the course of killing, red blood will flow. But there are inborn instruments for killing far more ingenious and deadly than these. The Guinness Book of Records, which is my primary scientific reference work in this respect, thinks it is pretty much a tie which is the most venomous animal in the world. "Both the blue-ringed octopus" (which contains a neurotoxic venom), it says, "and the box jellyfish can kill in a matter of seconds" (it can suddenly release a collagenous stinging thread, which contains a cardiotoxic venom). The basic problem is this: Carnivores have a lust to kill. They enjoy the feeling of sinking their teeth into a helpless pray. This is the sad fact: that the premise of life is violence, suffering, and competition. We are only complex organisms today because an incalculable number of our predecessors were torn to shreds by wild beast or suffered unimaginable terrors and pain. In order to produce one television-watching, potato-chips-crunching, baseball-cap-wearing humanoid, Nature has killed off, not hundreds and not thousands, but millions upon millions of perfectly innocent creatures who were in the unfortunate position that his siblings were slightly more aggressive than him, that they had slightly sharper elbows or possibly even bigger mouths or stomachs than him. This is the ugly truth concealed by the nice, tidy term Natural Selection. (By the way: Why do rabbits run faster than foxes? Answer: because the rabbit is running for its life where as the fox is running for its dinner. ) Random Mutation. It also has another, maybe even
scarier key mechanism: "More individuals are born than can possibly survive. A grain in the balance will determine which individual shall live and which shall die, - which variety or species shall increase in numbers, and which shall decrease, or finally become extinct." Darwin's theory says that the appearance of purpose in the intricate design of living things and in their exquisite adaptation to their environments is an illusion: the whole plant and animal creation is a cosmic accident, or rather the result of a very long chain of accidents, explainable only in terms of the non-purposive laws of particle physics. That the process ever got started, with the formation of a suitable self-replicating molecule, seems to have depended on a chemical accident. And it seems radically contingent, although with one occurrence its probability cannot be accurately estimated, that, having begun, the process should have followed a path that included the appearance of vertebrates, mammals and ourselves. What Darwin saw was that if there is a constant pressure of survival that means that there is actually a selection mechanism built into the world: if there is diversity, variation among individuals and there are pressures on their survival, the characteristics that these individuals have will play a role in whether or not they will be successful in withstanding the pressures. Examples of selection pressures and random selection: spider, insulin, camouflage... Evoution is strong in childhood (cases of progeria, a disease that occurs only in childhood, causing rapid deterioration of the body, are rare), but powerless against late afflictions (Alzheimers, a neurodegenerative disorder that typically arises in middle age, is the third most common killer. Why? Because natural selection is powerless against it; by the time victims become symptomatic, they have usually passed the destructive gene on to half their offspring). The resulting process would necessarily lead in the direction of individuals in future generations who tended to be better equipped to deal with the problems of resource limitation that had been faced by individuals in their parent's generation. These two key concepts then, Natural Selection and Random Mutation, together constitute Darwin's Dangerous Idea, the idea that generates so much insight, turmoil, confusion, anxiety .
Darwinism, on the other hand, -presents a theory that - in one great swoop -abolishes the need for a cause to be more complicated than its effect. This is the idea behind the very simple, and seemingly very dangerous, idea of gradual accumulation. You start out with a single, innocent molecule, and you end up with you and me This notion is one of Darwin's most fundamental contributions. It shows us that complex things can arise from simple processes and that there is no reason to presume that that for something complicated to be around, something even more complex needs to have created it.
But the fear that Darwinism will tear apart every human endeavour is profoundly misguided. The activists who poured water on EO Wilson's head forgot in what high regard, Wilson hold ants. There is no reason to suspect it would. Shakespeare will be Shakespeare, humankind will still be a sophisticated, family of individuals. Just because we can describe some of the basic biological processes that lead to the complex thing we call a human being, does not mean that we are nothing but basic biological processes. The fact that you can write out Beethoven's Ninth Symphony in ink, after all, doesn't mean that it is 'only ink'! Evolution seems to be a necessary element in explaining how human beings develop, but it is hardly sufficient. This, however, does not stop the popularisers of evolution to claim that the end of human creativity is nigh. Their apocalyptic sentiments seem to evoke a deep-seated irrational fear in people, and this is apparently good for the sales. It is not so good, however, for the soul.
Relativism, the beolief that all criteria of judgment are relative to the individuals and situations involved. Moral relativism, as opposed to other forms of relativism, is the view that moral standards are grounded only in social custom. The most famous statement of relativism in general is: "Man is the measure of all things," Both scientists and philosophers have advocated moral relativism. For example, anthropologist William Graham Sumner dramatically expresses the notion of moral relativism thus: "The 'right' way is the way which the ancestors used and which has been handed down. The tradition is its own warrant. It is not held subject to verification by experience. The notion of right is not outside of us, of independent origin. Whatever is, is right." ('Folkways', 1906) Arguments for moral relativism often involve two principal contentions: (I) Primacy of de facto values: Our conceptions of morality should be based on how people actually behave (de facto values), and not on an ideal standard how people should behave (ideal values). (II) Cultural variation: Main moral values vary from culture to culture. Regarding the second of these claims, moral relativists emphasise the variation in values that we see in cultures around us. It is indisputable that some value vary from culture to culture, such as wearing clothes, child marriages, and eating the bodies of dead relatives. However, many of these values are more like rules of etiquette than rules of morality. Dostoevsky, in his book The Brothers Karamazov, asks whether life has any meaning at all. He is struggling to maintain the idea of the Absolute. Alexei Fyodorovich, the advocate of the Absolute, struggles against a powerful contemporary cultural shift in Russia which included a growing disdain for church and state, perhaps because of an increasing acceptance of the theories of Darwin. The Cardinal Grand Inquisitor presents the most developed and complete formulation of Dostoevsky's vision of a godless, eternal city of Babel. The Tower of Babel is, for Dostoevsky, built "precisely without god" and for the purpose of bringing heaven down to earth. This is Dostoevsky's expression of the mood of his times. god, after all, is dead. Many believed that they could create a perfect society "precisely" because god is dead. Science promised to solve every material problem imaginable. And there are no problems but the material to be solved, since, as the Inquisitor puts it: " there is no sin, but only hungry men Mankind in its entirety has always yearned to arrange things so that they must be universal Instead of the firm ancient law, man has henceforth to decide for himself, with a free heart, what is good and what is evil..." (p. 255) Before long, however, this vision shows itself as being disasterously wrong. Nietzsche, another troubled poet, because it is the poets, not the pure philosophers, that express these sentiments most clearly, who wrote that he was aroused from his dogmatic slumber by Darwin, seems to be intoxicated by this relativistic reasoning. This is how he describes it in his account of the Madman: "[An] insane man jumped into their midst and transfixed them with his glances. "Where is God gone?" he called out. "I mean to tell you! We have killed him, you and I! We are all his murderers! But how have we done it? How were we able to drink up the sea? Who gave us the sponge to wipe away the whole horizon? What did we do when we loosened this earth from its sun? Whither does it now move? Whither do we move? Away from all suns? Do we not dash on unceasingly? Backwards, sideways, forwards, in all directions? Is there still an above and below? Do we not stray, as through infinite nothingness? Does not empty space breathe upon us? Has it not become colder? Does not night come on continually, darker and darker? Shall we not have to light lanterns in the morning? What lustrums, what sacred games shall we have to devise? Is not the magnitude of this deed too great for us? Shall we not ourselves have to become Gods, merely to seem worthy of it"? (Section, 125, The Gay Science) If Nietzsche is the father of existentialism, then Darwin seems to be its grandfather. Common to both these authors is a wholesale acceptance of moral relativism. They base this on the sudden lack of the 'ground of meaning', be it god, goodness or any other euphemism for purpose in the world. This sudden emptiness, this 'unbearable lightness of being', is exposed by Darwin, because the god-is-dead theme is really a metaphor for the general corrosion of old, absolute values.
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ISSN 1478-5587
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